Cultural genogram

A cultural genogram, introduced by Hardy and Laszloffy in 1995, is a genogram of at least three generations with each person's heritage added, such as country of origin, ethnicity, religion, language, class and migration. This guide has the Sandhu and Keane families as an example, the layers to record, how to draw them in the editor, the pride and shame questions, and the spiritual, faith and community genograms.

Updated October 2026Based on Hardy and Laszloffy, "The cultural genogram", Journal of Marital and Family Therapy (1995), and McGoldrick, Gerson and Petry, Genograms: Assessment and Treatment (4th ed., 2020)

Three-generation cultural genogram of Leela Sandhu's family, with country flags beside each name and the language, ethnicity, religion and education under it. Harjit and Gurpreet Sandhu, Punjabi Sikhs who married in 1971, are the parents of Simran and Amrit, who speak Punjabi and English. Francis and Bridget Keane, Irish American Catholics who married in 1972, are the parents of Colleen and Brendan. Amrit, a non-practicing Sikh, married Colleen, a Catholic, in 2002, and their children Leela, the index person, and Rohan are Catholic and speak English. The diagram has a note beside Harjit about the move from Punjab, India, to New Jersey in 1972

Cite this diagram

Genogram Pro. (2026, October 21). Cultural genogram [Diagram]. https://genogrampro.com/guide/cultural-genogram

Three-generation cultural genogram of Leela Sandhu's family, with country flags beside each name and the language, ethnicity, religion and education under it. Harjit and Gurpreet Sandhu, Punjabi Sikhs who married in 1971, are the parents of Simran and Amrit, who speak Punjabi and English. Francis and Bridget Keane, Irish American Catholics who married in 1972, are the parents of Colleen and Brendan. Amrit, a non-practicing Sikh, married Colleen, a Catholic, in 2002, and their children Leela, the index person, and Rohan are Catholic and speak English. The diagram has a note beside Harjit about the move from Punjab, India, to New Jersey in 1972, and a genogram key
Heritage, religion, language and education across three generations of Leela Sandhu's family, with the genogram key.
  1. Migration

    Harjit and Gurpreet married in 1971 and moved from Punjab to New Jersey in 1972. The move is written in a note beside Harjit, and both have the Indian flag beside their names for their country of origin.

  2. Two religions

    Harjit, Gurpreet, Simran and Amrit are Sikh and the Keane side of the family is Catholic. Amrit's Sikh pill has a dashed outline because he is non-practicing, and his children Leela and Rohan are Catholic.

  3. Language across generations

    Harjit and Gurpreet speak Punjabi, their children Simran and Amrit speak Punjabi and English, and Leela and Rohan speak only English. Each person's languages are written under the name with a Language property.

  4. Education across generations

    Gurpreet finished primary school and Harjit high school, while their daughter Simran has a master's degree and their son Amrit a bachelor's, so a reader can see the change in education from one generation to the next in the education pills.

What a cultural genogram includes

Kenneth V. Hardy and Tracey Laszloffy designed the cultural genogram as a training tool for family therapists. They argued that clinicians could not work well across cultures without first mapping their own cultural identity, the identities of the families they came from, and the points where those identities collided, fused or went silent.

A cultural genogram is drawn with the squares, circles and lines of a standard genogram, and a second layer is added for each person with the cultural groups they belong to and how the family understands and values those groups. Hardy and Laszloffy stressed that most people belong to several cultural groups at once. These are the layers most often recorded:

  • Race, as each person identifies it, and how it appears or shifts across generations
  • Ethnicity, including national origin and ancestry, which can have more than one part, as in Mexican American or Punjabi British
  • Religion and spirituality, with how closely each person practices and any conversion or break with the family's faith
  • Social class, from occupation, education and income as well as how the family describes itself
  • Gender, and the expectations for each gender that are passed down, contested or revised
  • Sexuality, including sexual orientation and the family's stance toward LGBTQ+ identity
  • Language, with the languages each person speaks, what was lost between generations and which language is used in which relationships
  • Immigration and migration, with the country of origin, the generation since migration, the reasons for moving and the relatives left behind
  • Geography and region, such as rural or urban roots and a regional identity within a country

Record only the layers that matter for the family and the question you are working on, because a genogram with every layer for every person is hard to read.

How to draw a cultural genogram

Draw the family structure first, across at least three generations, as in the steps for how to make a genogram, and then add the cultural layers:

  • Pick the identities you will track. Choose three to five layers, such as ethnicity, language, religion and generation since migration for a family in distress after a move, or religion, gender and class for a couple who disagree about faith.
  • Add each person's background. In the editor, select a person and open Background. Countries of origin are drawn as flags beside the name and race or ethnicity as a line of text under it, and religion, income level and education are drawn as small pills below, with a religion icon, one to five dollar signs, or an abbreviation such as BA. The religion pill has a dashed outline when Non-practicing is turned on, and every country, religion, income level and education level you use is added to the key.
  • Add language and anything else as a property. Open Other information, click Add property, name it Language, turn on Available on all people and Show in diagram, and type the languages each person speaks. On paper, write a short label under each person instead, such as "Punjabi, Sikh", and add a key for any colors or symbols you use.
  • Write down each migration. The editor has no migration arrow, so write each move with the countries and the year in a note beside the person, as in "Moved from Punjab, India, to New Jersey in 1972" beside Harjit. Write each stage of a migration separately, because a grandparent who moved from Vietnam to France and then to Canada has a different history from one who moved straight to Canada.
  • Mark ruptures and conversions. A rupture is any point where a cultural identity stopped being passed on, such as a generation that did not learn the family language, a member who left the family religion, an adoption across ethnic lines or a marriage across a class boundary. Write a short note next to the person, such as "converted to Catholicism, 1962", and record it as an event, not as a deficit.

Pride and shame

Hardy and Laszloffy built the cultural genogram around questions of pride and shame. For each cultural identity on the genogram, ask the family two questions:

  • Pride. Which parts of this identity does the family celebrate, name openly or pass deliberately to the next generation?
  • Shame, secrecy or silence. Which parts are hidden, played down, contradicted or treated as something to overcome?

The answers are rarely clean, because one identity can be a source of pride and of shame at once, or pride for one generation and shame for the next. Write both on the genogram where they apply, for example a note that a father's ethnicity was a source of strength for him and something his own parents avoided. Many of the patterns clinicians see in culturally diverse families, such as language loss, religious estrangement, class dissonance and hidden identities, become visible only when shame is mapped alongside pride.

Questions about where each side of the family came from, its languages and its faith are on the genogram questions page, next to the label or note drawn for each answer.

Spiritual and faith genograms

A spiritual genogram is a narrower form of the cultural genogram, used in pastoral counseling and faith-integrated therapy, with religion and spirituality as its only layer. Marsha Wiggins Frame introduced it to family therapy in a 2000 paper in the Journal of Marital and Family Therapy. For each person, record:

  • Their religious tradition or denomination
  • How closely they practice
  • Spiritual experiences they consider formative
  • Conversions, deconversions and moves between traditions
  • Their role in a religious community, such as clergy, lay leader or member
  • Spiritual estrangements and reconciliations

A spiritual genogram is most useful when faith is a presenting issue, such as interfaith conflict, religious trauma or grief over a loss of belief, or a resource the family can draw on, such as a faith community, ritual or prayer.

A faith genogram is the same diagram under another name. Where the two terms are used differently, a faith genogram is about organized religion, such as the congregation a family belongs to, clergy in the family, baptisms and weddings, and periods of attendance and absence, while a spiritual genogram also includes spirituality outside any tradition. Use the term your client recognizes.

Community genograms

Sandra Rigazio-DiGilio, Allen Ivey, Kara Kunkler-Peck and Lois Grady described the community genogram in their 2005 book Community Genograms: Using Individual, Family, and Cultural Narratives with Clients (Teachers College Press). A standard genogram is about the family itself, while a community genogram is about the cultural communities around a person, with the person or family in the center and these groups around them:

  • Religious or faith communities
  • Ethnic or cultural communities
  • Schools and colleges
  • Workplaces and professional groups
  • Neighborhoods and the places the family comes from
  • Political, activist or civic groups
  • Online communities

A community genogram is drawn in a similar way to an ecomap, but an ecomap is drawn to map a family's resources and services, and a community genogram to map where the family belongs culturally.

Where cultural genograms are used

  • Counselor and therapist training. Graduate programs for therapists, counselors and social workers ask trainees to draw their own family of origin, name the cultural identities they inherited and trace the pride and shame in each, so that they build cultural humility before they see clients.
  • Multicultural couples. When partners come from different cultures, a therapist can draw a cultural genogram for each of them, and a conflict over raising children, extended family or money can often be traced back to patterns neither partner had named.
  • Immigrant and refugee families. The moves, the languages kept or lost in each generation and the religious changes after arrival can all be drawn on one diagram, and a family that finds the story hard to tell in order can point to it instead.
  • Self-of-the-therapist work. Clinicians come back to their own cultural genogram as their identities and clinical work change, because new relationships, losses and clients alter how they see their own family history.
  • Career counseling. Career counselors use a related genogram, the career genogram, with each relative's job written under the name.

Questions people ask

Read how to make a genogram
What is a cultural genogram?

A cultural genogram is a genogram of at least three generations with each person's cultural identities added, such as ethnicity, race, religion, social class, gender, sexuality, language and immigration history. Kenneth Hardy and Tracey Laszloffy developed it in 1995 as a training tool for family therapists, so that a clinician can see the cultural patterns behind a family's values, relationships and conflicts.

What is the difference between a cultural genogram and a standard genogram?

A standard genogram has a family's structure, relationships and emotional or medical patterns. A cultural genogram has all of that, with each person's cultural identities added, such as ethnicity, race, religion, class, immigration, language, gender and sexuality, as labels, flags or small symbols next to the same person symbols.

What is the difference between a cultural genogram and a spiritual genogram?

A spiritual genogram is a narrower kind of cultural genogram with only religious affiliation, spiritual practice and the passing on or loss of faith across generations. A cultural genogram also has ethnicity, class, language and other identities, and both are drawn with the same symbols.

What is a community genogram?

A community genogram, described by Rigazio-DiGilio, Ivey, Kunkler-Peck and Grady in their 2005 book Community Genograms, has the person or family in the center and the communities, institutions and groups that shape their identity around them. It looks like an ecomap, but it is drawn for cultural belonging rather than for services and resources.

Who uses cultural genograms?

Counselor and family therapist training programs use cultural genograms to build cultural humility and self-awareness. Clinicians draw them with culturally diverse clients, multicultural couples and immigrant families, and they are also used in pastoral counseling, social work assessment and research on how culture is passed down in families.

How do you draw a cultural genogram?

Draw the family across at least three generations, then choose three to five identities that matter for the family, such as ethnicity, religion and language, and record them for each person with labels or symbols and a key. Write each migration with the countries and the year, and note any break in what was passed on, such as a lost language or a change of religion.

Start your genogram from this example

Open it in the editor, swap in your own names and dates, and export it as a PNG or PDF.